Tunesday: Postmodern Jukebox

Good Morning, my lovelies. I’m typing away at my WIP during breaks at a conference for the day job, and realized that it has been simply ages since I’ve posted anything. My bad — I can write the stories or keep up with my social media, but not both. So I’ve concentrated on the WIP for a few weeks. Sue me if its a problem.

But in keeping with my practice of bringing you thoughts on a Tune for Tuesday (see how clever I am with alliteration?), I wanted to share an odd yet appealing set of songs with you today.

One thing I love is mashing up two completely contradictory concepts into a unique, creative whole. Pride, Prejudice and Zombies? Loved it. (Of course, once it’s been done, it’s no longer creative and unique, so Sense, Sensibility and Seamonsters, not so much.)

If you like those kind of weird combinations where good ol’ “A” plus predictable “B” give us an amazing X, Y, or Z, you need to meet the good folks of Post-modern Jukebox. One Scott Bradlee, a music and history buff, got the brilliant idea to reinterpret the ubiquitous pop songs we all love to hate in unpredictable ways. Ke$ha goes country, Lourde becomes a male Pierrot clown, and Bieber swings it ’40’s style.

I love everything I’ve heard by PMJ, but my favorite has to be their doo-wop cover of Miley Cyrus’s We Can’t Stop. It’s tuneful, soulful, and waaaay better than the original. Check it out here:

http://m.youtube.com/watch?v=pXYWDtXbBB0&desktop_uri=%2Fwatch%3Fv%3DpXYWDtXbBB0

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